Course - Music in Venice, the 'Capital of Pleasure' (1650-1750) - MUSV3129
MUSV3129 - Music in Venice, the 'Capital of Pleasure' (1650-1750)
About
Examination arrangement
Examination arrangement: Portfolio
Grade: Letter grades
Evaluation | Weighting | Duration | Grade deviation | Examination aids |
---|---|---|---|---|
Portfolio | 100/100 |
Course content
Venice was one of the most important political, economic and cultural centres of the Baroque. It represented something unique in the European imagination: a Republic that defended its freedom and independence for centuries; a liberal and cosmopolitan centre in touch with different cultures; a decadent and pleasure seeking society immersed in a perennial carnival. Venice was also a most lively musical centre and the most important operatic centre in Europe; music punctuated daily life and participated in the city's self-representation and mythologization, while providing livelihood and international exposure to many musicians. Venice also offered unique opportunities to women musicians. While representative of the Baroque period, Venetian music and practices also influenced other composers, practices and musical life throughout Europe.
This course aims to develop students' understanding of the role of music and musicians (especially women musicians) in Venetian society and culture in its European and non-European context. Students will consider factors affecting music's composition, production and consumption, and will be encouraged to become familiar with a wide repertory of music. As a centre of cultural diversity on the border with the Ottoman Empire, Venice also offers the opportunity to observe how non-European, 'exotic' traditions were perceived and negotiated through the medium of music.
Learning outcome
Knowledge:
An examinee with a completed qualification in MUSV3129
- demonstrates knowledge and understanding of the role of music in Venetian society and culture during the baroque period
- demonstrates familiarity with a wide range of music associated with the course
- has a critical understanding of the interaction between music, theatre, culture and society in Sixteenth- and Eighteenth-century Venice
- can evaluate the European significance of the Venetian musical scene
Skills:
An examinee with a completed qualification in MUSV3129
- has the ability to analyse the interaction between music, theatre, culture and society
- can select and research independently an appropriate area of study
- has the ability to present knowledge, findings and critical insight in a coherent and convincing form both orally and in written form
- can apply acquired knowledge and understanding in their own work
Learning methods and activities
Combined lectures and seminars.
Instruction is obligatory and demands minimum 80% attendance.
Compulsory assignments
- 80% compulsory attendance
Further on evaluation
Portfolio containing two assignments assessed as a whole;
1 group presentation (script, reflection and self-evaluation): 3-4 pages (1500 words).
1 assignment: 8-9 pages (3500 words).
If the course is not passed, the student must retake the whole assessment. If the candidate retakes the exam there is no need to retake the compulsory assignments, but it is strongly recommended to follow the complete course again, as the form of evaluation is portfolio assessment.
Specific conditions
Admission to a programme of study is required:
Creative Music Technology (MMUST)
Drama and Theatre (BDRAMA)
European Studies (BEUROP)
History (BHIST)
History (MHIST)
Music Performance (MMUSP)
Music Performance Studies (BMUSP)
Music Performance Studies - Jazz (BMUSK)
Music Technology (BMUST)
Musicology (BMUSV)
Musicology (MMUSV)
Required previous knowledge
Requires admission to one of the Bachelor's or Master's programmes in Musicology, Music Technology, Music Performance Studies, Bachelor's programme in Drama and Theatre Studies, Bachelor's or Master's programme in History or Bachelor's programme in European Studies and Foreign Languages.
No
Version: 1
Credits:
7.5 SP
Study level: Second degree level
Term no.: 1
Teaching semester: SPRING 2025
Language of instruction: English
Location: Trondheim
- Gender Research
- Music History
- Cultural History
- History
- Musicology
- Music Performance Studies
Examination
Examination arrangement: Portfolio
- Term Status code Evaluation Weighting Examination aids Date Time Examination system Room *
- Spring ORD Portfolio 100/100 INSPERA
-
Room Building Number of candidates
- * The location (room) for a written examination is published 3 days before examination date. If more than one room is listed, you will find your room at Studentweb.
For more information regarding registration for examination and examination procedures, see "Innsida - Exams"