my phd project addresses the various renditions of Palestinian belonging through audio-video works by Palestinian women artists, while specifically probing the rapport between archival and affective labor.
Even the Sea is Broken: Return and Loss in Razan AlSalah’s Video Works (2024) - Film-Philosophy
On Safety and its Materiality: Rethinking Radicality in the Feminist Image (2023) – Radical Film, Art and Digital Media for Societies in Turmoil
The Death Image as Commodity: On the Limits of Visibility (2021) – Frames Cinema Journal