John Howland
About
Competencies
Publications
2023
-
Howland, John Louis.
(2023)
Paul Whiteman and Glorified 'Modern American Music,' 1927–1934.
Oxford University Press
Academic chapter/article/Conference paper
2022
-
Howland, John Louis.
(2022)
'Let the Music Play' (1975): Hearing the Disco Mainstream in Barry White.
Routledge
Academic chapter/article/Conference paper
2021
-
Howland, John.
(2021)
Populuxe Redux in the Glamour of Billie Eilish’s “No Time to Die”.
University of California Press Blog
Popular scientific article
-
Howland, John.
(2021)
Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music.
University of California Press
University of California Press
Academic monograph
2020
-
Howland, John.
(2020)
The Classy Populuxe Songbook.
Journal of the American Musicological Society
Academic article
2019
-
Howland, John.
(2019)
Frank Sinatra, Nelson Riddle, and "Pal Joey".
Introductory lecture to a film presentation
Other presentation
2018
-
Howland, John.
(2018)
On Billboard, Isaac Hayes, and the ‘Swinging Relationship’ Between Jazz and Its Popular Music Cousins, 1950-1973.
Routledge
Academic chapter/article/Conference paper
-
Howland, John.
(2018)
Hearing Luxe Pop: Jay Z, Isaac Hayes, and the Six Degrees of Symphonic Soul.
Oxford University Press
Academic chapter/article/Conference paper
2017
-
Howland, John.
(2017)
Duke Ellington Studies.
Cambridge University Press
Cambridge University Press
Academic anthology/Conference proceedings
-
Howland, John.
(2017)
Marketing to the Middlebrow: Reconsidering Ellingtonia, the Legacy of Early Ellington Criticism, and the Idea of a ‘Serious’ Jazz Composer.
Cambridge University Press
Academic chapter/article/Conference paper
-
Howland, John.
(2017)
Preface.
Cambridge University Press
Foreword
2016
-
Howland, John;
Wriggle, John.
(2016)
Edward Kennedy "Duke" Ellington.
Oxford University Press
Popular scientific chapter/article
-
Størvold, Tore;
Howland, John.
(2016)
Beats, Strings and Volcanic Things: Cross-genre Musical Practices in the Independent Music Scene in Reykjavík, Iceland
.
Norges teknisk-naturvitenskapelige universitet
Norges teknisk-naturvitenskapelige universitet
Masters thesis
-
Schanke, Janne Kristin;
Howland, John.
(2016)
Den autentiske sangeren. Sangere er lyttere i en undersøkelse av det autentiske vokaluttrykket i populærmusikk.
Norges teknisk-naturvitenskapelige universitet
Norges teknisk-naturvitenskapelige universitet
Masters thesis
-
Jordbrekk, Anders;
Howland, John.
(2016)
The Influence of the Past. A Study of Retromania and Technostalgia in Contemporary Popular Music.
Norges teknisk-naturvitenskapelige universitet
Norges teknisk-naturvitenskapelige universitet
Masters thesis
-
Opedal, Åsmund Hjorthol;
Howland, John.
(2016)
Motorpsycho på museum. Ein studie av Rockheim som formidlar av populærmusikkens historie.
Norges teknisk-naturvitenskapelige universitet
Norges teknisk-naturvitenskapelige universitet
Masters thesis
2015
-
Hammer, Håkon;
Howland, John.
(2015)
Musikk i butikk. En studie av hvordan «bakgrunnsmusikk» brukes i klesbutikk.
NTNU
Masters thesis
-
Krokan, Eva Lise Haaland;
Howland, John.
(2015)
Sangeren i vokalensemblet. Om musikalske og sosiale dimensjoner i sangerkollektivet.
NTNU
Masters thesis
2014
-
Dunkel, Mario;
Howland, John;
Gruenzweig, Walter.
(2014)
The Stories of Jazz: Performing America Through Its Musical History.
Technische Universität Dortmund
Doctoral dissertation
-
Howland, John.
(2014)
Artful Entertainment: Ellington's Formative Years in Context.
Cambridge University Press
Academic chapter/article/Conference paper
-
Howland, John.
(2014)
"Reflections on Contemporary Ellingtonia," invited contribution to Musicology Now, the official blog of the American Musicologyca Society.
Musicology Now (the official blog of the American Musicological Society)
Popular scientific article
-
Rånes, Brian Christer Nebb;
Howland, John.
(2014)
Chocolate, Mustard and a fox - Norwegian K-Pop, its Production and Performance.
NTNU
Masters thesis
2013
-
Ariff, Alexander;
Howland, John.
(2013)
Jazz and Poetry: Recorded Collaborations, 1957-1959.
Rutgers University Newark
Masters thesis
-
McFarland, Christian;
Howland, John.
(2013)
If You Believe in What You Do: The Music and Life of Freddie King.
Rutgers University Newark
Masters thesis
-
Howland, John.
(2013)
Ellingtonia, Historically Speaking.
The Musical Quarterly
Editorial
2012
-
Pepper, James E.;
Howland, John.
(2012)
From Jazz Messenger to Forerunner: The Life and Music of Jymie Merritt.
Rutgers University Newark
Masters thesis
-
Howland, John.
(2012)
“‘Jazz’ with Strings: Between Jazz and the Great American Songbook.”.
University of California Press
Academic chapter/article/Conference paper
-
Howland, John.
(2012)
West Coast Jazz.
Continuum
Encyclopedia article
-
Howland, John.
(2012)
Third Stream.
Continuum
Encyclopedia article
-
Howland, John.
(2012)
Cool Jazz.
Continuum
Encyclopedia article
2011
-
Michelsen, Gretchen;
Howland, John.
(2011)
Harry Connick, Jr.: When Entertainment Meets Artistry.
Rutgers University Newark
Masters thesis
-
Rodriguez, Alex Warner;
Howland, John.
(2011)
White and Blue: Alternate Takes on Jack Teagarden.
Rutgers University Newark
Masters thesis
-
Ainsworth, Sean;
Howland, John.
(2011)
An Exploration into the Influence and Innovations of Edward Van Halen.
Rutgers University Newark
Masters thesis
2010
-
Howland, John.
(2010)
Letter from the Editor.
Jazz Perspectives
Editorial
-
Howland, John.
(2010)
Letter from the Editor.
Jazz Perspectives
Editorial
-
Negley, Jarrod;
Howland, John.
(2010)
Sweet and Brutal: The Life and Music of Sonny Sharrock.
Rutgers University Newark
Masters thesis
-
Perrott, David;
Howland, John.
(2010)
Norwegian Jazz: A New Jazz Aesthetic.
Rutgers University Newark
Masters thesis
2009
-
Howland, John.
(2009)
Letter from the Editor.
Jazz Perspectives
Editorial
-
Wendell, Eric;
Howland, John.
(2009)
Ornette Coleman’s “Skies of America”.
Rutgers University Newark
Masters thesis
-
Pauley, Jared;
Howland, John.
(2009)
Hip-Hop and the Jazz Tradition.
Rutgers University Newark
Masters thesis
-
Howland, John.
(2009)
Ellington Uptown: Duke Ellington, James P. Johnson, and the Birth of Concert Jazz.
University of Michigan Press
University of Michigan Press
Academic monograph
-
Howland, John.
(2009)
Ellingtonian Extended Composition and the Symphonic Jazz Model.
Annual Review of Jazz Studies
Academic article
2008
-
Sroka, Bradley;
Howland, John.
(2008)
New Beginnings: The Music of Don Pullen and a Recontextualization of the 1960s Jazz Avant Garde.
Rutgers University Newark
Masters thesis
-
Howland, John;
Porter, Lewis.
(2008)
Letter from the Editors.
Jazz Perspectives
Editorial
-
Lomanno, Mark;
Howland, John.
(2008)
Topics on Afro-Cuban Jazz in the United States.
Rutgers University Newark
Masters thesis
2007
-
Howland, John;
Porter, Lewis.
(2007)
Letter from the Editors.
Jazz Perspectives
Editorial
-
Tenenholtz, David;
Howland, John.
(2007)
Out of Nowhere: The Rise of the National Jazz Tradition in Sweden, 1945-1976.
Rutgers University Newark
Masters thesis
-
Lescovic, Matthew;
Howland, John.
(2007)
Charles Lloyd: A Journey Within.
Rutgers University Newark
Masters thesis
-
Howland, John.
(2007)
"The Blues Get Glorified": Harlem Entertainment, "Negro Nuances," and Black Symphonic Jazz.
The Musical Quarterly
Academic article
-
Howland, John;
Porter, Lewis.
(2007)
From "Perspectives in Jazz" to "Jazz Perspectives".
Jazz Perspectives
Editorial
2006
-
Goldberg, Corey;
Howland, John.
(2006)
Raymond Scott: Rediscovering the Forgotten Wit of Jazz.
Rutgers University Newark
Masters thesis
-
Howland, John.
(2006)
Jazz Rhapsodies in Black and White: James P. Johnson’s "Yamekraw".
American Music
Academic article
2003
-
Howland, John.
(2003)
The Whitemanesque Roots of Early Ellingtonian Extended Jazz Composition.
Jazz Research Proceedings Yearbook (2003)
Academic anthology/Conference proceedings
2002
-
Howland, John.
(2002)
Between the Muses and the Masses: Symphonic Jazz, “Glorified” Entertainment, and the Rise of the American Musical Middlebrow, 1920-1944.
Stanford University Press
Stanford University Press
Doctoral dissertation
1994
-
Howland, John.
(1994)
Hugo Wolf’s Wilhelm Meister Lieder as Fin-de-siècle Music Drama.
Boston University
Masters thesis
Journal publications
-
Howland, John.
(2021)
Populuxe Redux in the Glamour of Billie Eilish’s “No Time to Die”.
University of California Press Blog
Popular scientific article
-
Howland, John.
(2020)
The Classy Populuxe Songbook.
Journal of the American Musicological Society
Academic article
-
Howland, John.
(2014)
"Reflections on Contemporary Ellingtonia," invited contribution to Musicology Now, the official blog of the American Musicologyca Society.
Musicology Now (the official blog of the American Musicological Society)
Popular scientific article
-
Howland, John.
(2013)
Ellingtonia, Historically Speaking.
The Musical Quarterly
Editorial
-
Howland, John.
(2010)
Letter from the Editor.
Jazz Perspectives
Editorial
-
Howland, John.
(2010)
Letter from the Editor.
Jazz Perspectives
Editorial
-
Howland, John.
(2009)
Letter from the Editor.
Jazz Perspectives
Editorial
-
Howland, John.
(2009)
Ellingtonian Extended Composition and the Symphonic Jazz Model.
Annual Review of Jazz Studies
Academic article
-
Howland, John;
Porter, Lewis.
(2008)
Letter from the Editors.
Jazz Perspectives
Editorial
-
Howland, John;
Porter, Lewis.
(2007)
Letter from the Editors.
Jazz Perspectives
Editorial
-
Howland, John.
(2007)
"The Blues Get Glorified": Harlem Entertainment, "Negro Nuances," and Black Symphonic Jazz.
The Musical Quarterly
Academic article
-
Howland, John;
Porter, Lewis.
(2007)
From "Perspectives in Jazz" to "Jazz Perspectives".
Jazz Perspectives
Editorial
-
Howland, John.
(2006)
Jazz Rhapsodies in Black and White: James P. Johnson’s "Yamekraw".
American Music
Academic article
Books
-
Howland, John.
(2021)
Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music.
University of California Press
University of California Press
Academic monograph
-
Howland, John.
(2017)
Duke Ellington Studies.
Cambridge University Press
Cambridge University Press
Academic anthology/Conference proceedings
-
Howland, John.
(2009)
Ellington Uptown: Duke Ellington, James P. Johnson, and the Birth of Concert Jazz.
University of Michigan Press
University of Michigan Press
Academic monograph
-
Howland, John.
(2003)
The Whitemanesque Roots of Early Ellingtonian Extended Jazz Composition.
Jazz Research Proceedings Yearbook (2003)
Academic anthology/Conference proceedings
Part of book/report
-
Howland, John Louis.
(2023)
Paul Whiteman and Glorified 'Modern American Music,' 1927–1934.
Oxford University Press
Academic chapter/article/Conference paper
-
Howland, John Louis.
(2022)
'Let the Music Play' (1975): Hearing the Disco Mainstream in Barry White.
Routledge
Academic chapter/article/Conference paper
-
Howland, John.
(2018)
On Billboard, Isaac Hayes, and the ‘Swinging Relationship’ Between Jazz and Its Popular Music Cousins, 1950-1973.
Routledge
Academic chapter/article/Conference paper
-
Howland, John.
(2018)
Hearing Luxe Pop: Jay Z, Isaac Hayes, and the Six Degrees of Symphonic Soul.
Oxford University Press
Academic chapter/article/Conference paper
-
Howland, John.
(2017)
Marketing to the Middlebrow: Reconsidering Ellingtonia, the Legacy of Early Ellington Criticism, and the Idea of a ‘Serious’ Jazz Composer.
Cambridge University Press
Academic chapter/article/Conference paper
-
Howland, John.
(2017)
Preface.
Cambridge University Press
Foreword
-
Howland, John;
Wriggle, John.
(2016)
Edward Kennedy "Duke" Ellington.
Oxford University Press
Popular scientific chapter/article
-
Howland, John.
(2014)
Artful Entertainment: Ellington's Formative Years in Context.
Cambridge University Press
Academic chapter/article/Conference paper
-
Howland, John.
(2012)
“‘Jazz’ with Strings: Between Jazz and the Great American Songbook.”.
University of California Press
Academic chapter/article/Conference paper
-
Howland, John.
(2012)
West Coast Jazz.
Continuum
Encyclopedia article
-
Howland, John.
(2012)
Third Stream.
Continuum
Encyclopedia article
-
Howland, John.
(2012)
Cool Jazz.
Continuum
Encyclopedia article
Report
-
Størvold, Tore;
Howland, John.
(2016)
Beats, Strings and Volcanic Things: Cross-genre Musical Practices in the Independent Music Scene in Reykjavík, Iceland
.
Norges teknisk-naturvitenskapelige universitet
Norges teknisk-naturvitenskapelige universitet
Masters thesis
-
Schanke, Janne Kristin;
Howland, John.
(2016)
Den autentiske sangeren. Sangere er lyttere i en undersøkelse av det autentiske vokaluttrykket i populærmusikk.
Norges teknisk-naturvitenskapelige universitet
Norges teknisk-naturvitenskapelige universitet
Masters thesis
-
Jordbrekk, Anders;
Howland, John.
(2016)
The Influence of the Past. A Study of Retromania and Technostalgia in Contemporary Popular Music.
Norges teknisk-naturvitenskapelige universitet
Norges teknisk-naturvitenskapelige universitet
Masters thesis
-
Opedal, Åsmund Hjorthol;
Howland, John.
(2016)
Motorpsycho på museum. Ein studie av Rockheim som formidlar av populærmusikkens historie.
Norges teknisk-naturvitenskapelige universitet
Norges teknisk-naturvitenskapelige universitet
Masters thesis
-
Hammer, Håkon;
Howland, John.
(2015)
Musikk i butikk. En studie av hvordan «bakgrunnsmusikk» brukes i klesbutikk.
NTNU
Masters thesis
-
Krokan, Eva Lise Haaland;
Howland, John.
(2015)
Sangeren i vokalensemblet. Om musikalske og sosiale dimensjoner i sangerkollektivet.
NTNU
Masters thesis
-
Dunkel, Mario;
Howland, John;
Gruenzweig, Walter.
(2014)
The Stories of Jazz: Performing America Through Its Musical History.
Technische Universität Dortmund
Doctoral dissertation
-
Rånes, Brian Christer Nebb;
Howland, John.
(2014)
Chocolate, Mustard and a fox - Norwegian K-Pop, its Production and Performance.
NTNU
Masters thesis
-
Ariff, Alexander;
Howland, John.
(2013)
Jazz and Poetry: Recorded Collaborations, 1957-1959.
Rutgers University Newark
Masters thesis
-
McFarland, Christian;
Howland, John.
(2013)
If You Believe in What You Do: The Music and Life of Freddie King.
Rutgers University Newark
Masters thesis
-
Pepper, James E.;
Howland, John.
(2012)
From Jazz Messenger to Forerunner: The Life and Music of Jymie Merritt.
Rutgers University Newark
Masters thesis
-
Michelsen, Gretchen;
Howland, John.
(2011)
Harry Connick, Jr.: When Entertainment Meets Artistry.
Rutgers University Newark
Masters thesis
-
Rodriguez, Alex Warner;
Howland, John.
(2011)
White and Blue: Alternate Takes on Jack Teagarden.
Rutgers University Newark
Masters thesis
-
Ainsworth, Sean;
Howland, John.
(2011)
An Exploration into the Influence and Innovations of Edward Van Halen.
Rutgers University Newark
Masters thesis
-
Negley, Jarrod;
Howland, John.
(2010)
Sweet and Brutal: The Life and Music of Sonny Sharrock.
Rutgers University Newark
Masters thesis
-
Perrott, David;
Howland, John.
(2010)
Norwegian Jazz: A New Jazz Aesthetic.
Rutgers University Newark
Masters thesis
-
Wendell, Eric;
Howland, John.
(2009)
Ornette Coleman’s “Skies of America”.
Rutgers University Newark
Masters thesis
-
Pauley, Jared;
Howland, John.
(2009)
Hip-Hop and the Jazz Tradition.
Rutgers University Newark
Masters thesis
-
Sroka, Bradley;
Howland, John.
(2008)
New Beginnings: The Music of Don Pullen and a Recontextualization of the 1960s Jazz Avant Garde.
Rutgers University Newark
Masters thesis
-
Lomanno, Mark;
Howland, John.
(2008)
Topics on Afro-Cuban Jazz in the United States.
Rutgers University Newark
Masters thesis
-
Tenenholtz, David;
Howland, John.
(2007)
Out of Nowhere: The Rise of the National Jazz Tradition in Sweden, 1945-1976.
Rutgers University Newark
Masters thesis
-
Lescovic, Matthew;
Howland, John.
(2007)
Charles Lloyd: A Journey Within.
Rutgers University Newark
Masters thesis
-
Goldberg, Corey;
Howland, John.
(2006)
Raymond Scott: Rediscovering the Forgotten Wit of Jazz.
Rutgers University Newark
Masters thesis
-
Howland, John.
(2002)
Between the Muses and the Masses: Symphonic Jazz, “Glorified” Entertainment, and the Rise of the American Musical Middlebrow, 1920-1944.
Stanford University Press
Stanford University Press
Doctoral dissertation
-
Howland, John.
(1994)
Hugo Wolf’s Wilhelm Meister Lieder as Fin-de-siècle Music Drama.
Boston University
Masters thesis
UTSTILLING
-
Howland, John.
(2019)
Frank Sinatra, Nelson Riddle, and "Pal Joey".
Introductory lecture to a film presentation
Other presentation
Teaching
Courses
Outreach
2022
-
Popular scientific lectureHowland, John; Dubowsky, Jack. (2022) Music for Middlebrows: Jack Dubowsky, 'Easy Listening and Film Scoring 1948-1978' (Routledge); John Howland, 'Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music' (University of California Press). International Association for the Study of Popular Music U.S Popular Music Books in Process Series, Fall 2021-Winter 2022 , Los Angeles / online 2022-10-08 - 2022-10-08
-
Popular scientific lectureHowland, John Louis; Hammill, Faye; Guthrie, Kate. (2022) Conversations on Art and Life: Music and the Middlebrow. University of Bristol and the Middlebrow Research Network Book launch discussion , online 2022-03-30 - 2022-03-30
-
Academic lectureHowland, John Louis. (2022) Paul Whiteman and Modern Metropolitan Impressions, 1927–1940. Williams College PAUL WHITEMAN IN AMERICAN MUSIC: A Symposium at Williams College Bernhard Music Center August 27, 2022 , Williamstown, MA 2022-08-27 - 2022-08-27
-
Popular scientific lectureHowland, John Louis. (2022) Book launch presentation: John Howland, 'Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music'. Rockheim Museum Book launch presentation , Trondheim 2022-02-09 - 2022-02-09
-
Academic lectureHowland, John Louis. (2022) Nobrow in the New Millennium?: The Postminimalist Affinities of New York's Indie Rock and Indie Classical Communities in the 2000s. Göteborgs universitet Classical Music in Contemporary Media and Society , Göteborg 2022-02-13 - 2022-02-15
2021
-
Academic lectureHowland, John. (2021) Book Presentation: 'Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music". Lund University Book release presentation , Lund 2021-03-02 - 2021-03-02
-
Popular scientific lectureHowland, John. (2021) Soundmania! Popular Music and Technology in the 1950s and 1960s. Rockheim Soundmania! Popular Music and Technology in the 1950s and 1960s , Trondheim 2021-02-18 - 2021-02-18
-
InterviewHowland, John. (2021) Campaign for the American Reader, Pg. 99 Blog: John Howland's "Hearing Luxe Pop". http://americareads.blogspot.com/2021/06/pg-99-john-howlands http://americareads.blogspot.com/2021/06/pg-99-john-howlands [Internet] 2021-06-22
-
InterviewHowland, John. (2021) Music Journalism Insider: John Howland Interview (Hearing Luxe Pop: Glorification, Glamour and the Middlebrow in American Popular Music). https://www.musicjournalisminsider.com/archive/john-howland- https://www.musicjournalisminsider.com/archive/john-howland- [Internet] 2021-07-11
2019
-
Popular scientific lectureHowland, John. (2019) Hollywood ‘Songs for Swingin’ Lovers: Frank Sinatra’s Hi-Fi Music for Playboys, Modern Romance and Martinis. Musikverket public research talk at the archive , Stockholm 2019-12-02 - 2019-12-02
2017
-
Academic lectureHowland, John. (2017) Phil Spector and the ‘Fabulous’ Ronettes: Early 1960s ‘Teenage Symphonies’ and the American Lower Middlebrow. University of Notre Dame Music and the Middlebrow , London 2017-06-22 - 2017-06-24
2015
-
Academic lectureHowland, John. (2015) Between Jazz and Soul in the 1960s and 1970s. Department of Music, Case Western Reserve University Colloquia series of the Department of Music , Cleveland, OH 2015-12-04 - 2015-12-04
-
Academic lectureHowland, John. (2015) Isaac Hayes and the Intersections of Jazz and Soul in the Early 1970s. Case Western Reserve University, Musicology Department Invited guest lecture , Case Western Reserve University, Cleveland 2015-12-04 - 2015-12-04
2014
-
Academic lectureHowland, John. (2014) “Teenage Symphonies: The Production Process of Phil Spector and Jack Nitzsche, and the (Orchestral) Sound of Young America in the Early 1960s”. Association for the Study of the Art of Record Production Art of Record Production Conference: Record Production in the Internet Age , Oslo 2014-12-04 - 2014-12-06
2013
-
Academic lectureHowland, John. (2013) "Hot Buttered Soul" and Billboard Jazz: The Curious Case of Isaac Hayes and the Intersections of Jazz and Soul, 1969-1973. Rhythm Changes II: Rethinking Jazz Cultures , Media City UK/University of Salford 2013-04-11 - 2013-04-14
2011
-
Academic lectureHowland, John. (2011) Nobrow Pop in the New Millennium?: Sufjan Stevens, Nico Muhly, and Post-2000 Chamber Pop. American Musicological Society American Musicological Society, annual meeting , San Francisco, CA 2011-11-10 - 2011-11-13
-
Academic lectureHowland, John. (2011) On Background Bling and the Luxe Pop Legacy: A Long View on Jay- Z, Kanye West, and the Hustler Symphony Orchestra. Experience Music Project Cash Rules Everything Around Me: Music and Money , UCLA Department of Musicology, Los Angeles, CA 2011-02-25 - 2011-02-27
2010
-
Interview
-
Popular scientific lectureHowland, John. (2010) Keynote lecture: Jazz Artists in the Concert Hall. Oakland East Bay Symphony Oakland East Bay Symphony Forum , Oakland, CA 2010-05-05 - 2010-05-05
-
Academic lectureHowland, John. (2010) Jazz and Film: The Syncopated City and Craftsmanship. John Cotton Dana Library, Rutgers University Faculty Research Speakers' Series of the John Cotton Dana Library, Rutgers University , Newark, NJ 2010-04-07 - 2010-04-07
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Academic lectureHowland, John. (2010) On Background Bling and the Luxe Pop Legacy: A Long View on Jay-Z, Kanye West, and the Hustler Symphony Orchestra. University of Virginia, McIntire Dept. of Music University of Virginia, McIntire Dept. of Music’s Colloquium series , Charlottesville, VA 2010-12-03 - 2010-12-03
-
InterviewHowland, John. (2010) “Portraits of Harlem” episode for the syndicated National Public Radio program "City Lights," WFIU Public Radio, Indiana. Bloomington, IN Bloomington, IN [Radio] 2010-03-01
2009
-
Academic lectureHowland, John. (2009) Luxe Pop: The Six Degrees of Separation from Jay-Z to Symphonic Jazz. Middlebrow Network Middlebrow Cultures , University of Strathclyde, Glasgow; Scotland 2009-07-14 - 2009-07-15
-
Academic lectureHowland, John. (2009) Luxe Pop in the (Symphonic) Jazz Age. School of Music’, University of Maryland School of Music Musicology Colloquium, University of Maryland College Park , College Park, MD 2009-04-05 - 2009-04-05
-
Academic lectureHowland, John. (2009) Luxe Pop: The Six Degrees of Separation from Jay-Z to Symphonic Jazz. American Musicological Society American Musicological Society annual meeting , Philadelphia, PA 2009-11-12 - 2009-11-15
-
Academic lectureHowland, John. (2009) Jay-Z, the Hustler Symphony Orchestra, and the Legacy of Luxe Pop. Department of Music at The University of Nottingham Invited lecture , Nottingham, UK 2009-06-19 - 2009-06-19
-
Academic lectureHowland, John. (2009) Keynote: The Symphonic Ellington and "A Tone Parallel to Harlem.". University of Texas at Austin, Butler School of Music Echoes of Ellington: A Conference on the Music and Life of Duke Ellington , University of Texas at Austin, Butler School of Music 2009-04-15 - 2009-04-17
-
InterviewHowland, John. (2009) Interviewed for the “Eric in the Evening” show, hosted by Eric Jackson, on WGBH, Boston. Boston, MA Boston, MA [Radio] 2009-07-28
-
InterviewHowland, John. (2009) Interviewed for “Book Report,” hosted by Randy O’Brien, on WMOT. Murfreesboro, TN Murfreesboro, TN [Radio] 2009-06-06
2008
-
Academic lectureHowland, John. (2008) With Strings: Orchestral Pop and Glorified Entertainment. Music Division of Southampton University Invited lecture , Southampton University; Southampton 2008-06-02 - 2008-06-02
-
Academic lectureHowland, John. (2008) With Strings: Orchestral Pop and Glorified Entertainment. Department of Music, Goldsmiths University Invited lecture , Department of Music, Goldsmiths University, London, UK 2008-06-24 - 2008-06-24
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Academic lectureHowland, John. (2008) Populuxe: The Birth of Glorified Pop in the (Symphonic) Jazz Age. Conservatory of Music, Brooklyn College, CUNY Invited lecture at the Institute for Studies in American Music , Brooklyn, NY 2008-02-05 - 2008-02-05
2007
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Academic lectureHowland, John. (2007) “‘Negro Nuances’: Harlem Entertainment and ‘Glorified’ Popular Music in the 1920s". Society for American Music Society for American Music annual conference , Pittsburgh, PA 2007-02-28 - 2007-03-04
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Academic lectureHowland, John. (2007) Symphonic Swing. Newcomb Department of Music of Tulane University Invited lecture , Tulane University, New Orleans, LA 2007-04-26 - 2007-04-26
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Academic lectureHowland, John. (2007) Sinatra and Riddle in the 1950s: Reinventing Swing for the Hi-Fi Era. School of Music, Cardiff University Invited lecture , Cardiff University, Cardiff, Wales 2007-04-03 - 2007-04-03
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Academic lectureHowland, John. (2007) 'The Melting Pot of Music’: Glorified ‘Jazz’ in American Entertainments of the Interwar Era. Sibelius Academy “De-Canonizing Music History,” International Symposium for Histories of Popular Music, Jazz, and Folk Music , Helsinki, Finland 2007-11-29 - 2007-12-01
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Academic lectureHowland, John. (2007) The Sound and Image of “Traditional Pop.”. Musicology Prog, Dept for Media and Culture, Utrecht U. Invited lecture , Utrecht University, Utrecht 2007-10-24 - 2007-10-24
2006
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Academic lectureHowland, John. (2006) Between Jazz and the Great American Songbook. Musicology Department, Indiana University Musicology Department Colloquium Series, Indiana University , Indiana University, Bloomington, IN 2006-01-27 - 2006-01-27
2005
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Academic lectureHowland, John. (2005) “Sinatra and Riddle in the 1950s: Reinventing Swing for the Hi-Fi Era”. Leeds College of Music Leeds International Jazz Conference , Leeds, UK 2005-03-11 - 2005-03-12
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Academic lectureHowland, John. (2005) “Hollywood ‘Songs for Swingin’ Lovers’”. Society for American Music Society for American Music annual conference , University of Oregon, Eugene, OR 2005-02-16 - 2005-02-20
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Academic lectureHowland, John. (2005) “Sinatra and Riddle in the 1950s: Reinventing Swing for the Hi-Fi Era”. Greater New York Chapter of the American Musicological Socie Greater New York Chapter meeting of the American Musicological Society , Manhattan, New York 2005-04-06 - 2005-04-06
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Academic lectureHowland, John. (2005) “‘Jazz’ with Strings”. American Musicological Society American Musicological Society annual meeting , Washington, D.C. 2005-10-27 - 2005-10-30
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Academic lectureHowland, John. (2005) Duke Ellington and the Idea of Symphonic Jazz. Music Department, Westminster College of Rider University Invited lecture , Princeton, NJ 2005-10-03 - 2005-10-03
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Programme participationHowland, John. (2005) "The Funniest Man: The Wit and Music of Bert Williams," radio documentary, directed by Elizabeth McNamee and funded by the National Endowment for the Humanities and the Society for American Music. New York New York [Radio] 2005-01-01
2004
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Academic lectureHowland, John. (2004) Orchestral Jazz Arranging and American Popular Music in the 1950s. Nordic Musicological Congress 14th Nordic Musicological Congress , Sibelius Academy, Helsinki, Finland 2004-08-11 - 2004-08-14
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Academic lectureHowland, John. (2004) “‘Gershwinesque’ Paraphrases in Classical Hollywood Film”. Stanford University Reviewing the Canon: Borrowed Music in Film , Stanford University, Stanford, CA 2004-05-01 - 2004-05-04
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Academic lectureHowland, John. (2004) “The Capitol Jazz Aesthetic”. American Studies Association American Studies Association annual meeting: Crossroads of Cultures , Atlanta, GA 2004-11-11 - 2004-11-14
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Academic lectureHowland, John. (2004) Jazz Rhapsodies in Black and White: The Cultural Nexus of James P. Johnson’s “Yamekraw: A Negro Rhapsody.”. Institute of Jazz Studies Jazz Research Round Table, Institute of Jazz Studies , Rutgers University, Newark, NJ 2004-09-15 - 2004-09-15
2003
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Academic lectureHowland, John. (2003) “The Whitemanesque Roots of Ellingtonian Extended Jazz Composition”. International Association for Jazz Education International Association for Jazz Education annual meeting , Toronto 2003-01-09 - 2003-01-12
2002
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Academic lectureHowland, John. (2002) The Roots of Ellingtonian Jazz Composition and Extended Form. Music Department, Washington University Invited lecture , Washington University, St. Louis, MO 2002-03-15 - 2002-03-15
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Academic lectureHowland, John. (2002) The Roots of Ellingtonian Jazz Composition and Extended Form. Music Department, University of California at Davis Invited lecture , University of California at Davis, Davis, CA 2002-02-05 - 2002-02-05
2001
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Academic lectureHowland, John. (2001) The Melting Pot of Music: “Glorifying” the American Popular Song, and the Aesthetics of Whitemanesque Symphonic Jazz in 1920s Entertainment. Dept of Cultural Sciences, Musicology, Gothenburg Universit Invited lecture , Gothenburg, Sweden 2001-04-20 - 2001-04-20
2000
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Academic lectureHowland, John. (2000) “Between the Muses and the Masses: Jazz Rhapsodies and the Emergence of Middlebrow Culture”. American Musicological Society American Musicological Society annual meeting , Toronto 2000-11-01 - 2000-11-05